In spite of the singer’s own nonchalance, the susceptive tunes of the musicians, the gorgeous dropscene, the second carafe of wine, infected the mind not disagreeably with thoughts of the evanescence of things. At the beginning of the century, Marinetti and the Futurists had wanted to make a fresh start – whatever that might mean – advocating, among other projects, filling up the Venetian canals with the rubble of the Venetian palaces. Now, the Futurists, with their sentimentality about the future, primitive machinery, vintage motor-cars, seemed as antiquely picturesque as the Doge in the Bucentaur, wedding his bride the Sea, almost as distant in time; though true that a desire to destroy, a hatred and fear of the past, remained a constant in human behaviour.

Anthony Powell, in Temporary Kings
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